Armstrong talks to contemporary artists Tony Albert and Keemon Williams, whose works both look to reframe First Nations histories in different ways by appropriating found materials, language, and symbols of their culture. Williams is the youngest artist in the Wurrdha Marra exhibition, while Albert is a senior figure in the art world, known for using what he calls ‘Aboriginalia’ in his work. Both artists explore the intersection of queerness with Aboriginality, with a particular fondness for the aesthetics of camp.