A History of Rock Music in 500 Songs

Andrew Hickey

Andrew Hickey presents a history of rock music from 1938 to 1999, looking at five hundred songs that shaped the genre. read less

Our Editor's Take

Music history buffs can rock and roll alongside the podcast A History of Rock Music in 500 Songs. Here, listeners can relive some of the genre's most memorable and influential songs. The show's writer and host, Andrew Hickey, always provides detailed analysis. He highlights the little-known intricacies of how songs came to be in the music scene. The show notes for each episode have additional information about the songs discussed.

Often, the artist who records a famous song receives all recognition for the song's success. Hickey explores in his podcast other contributing factors and individuals. A History of Rock Music in 500 Songs discusses how society, culture, and logistics impact rock and pop music history. This includes songwriting, production, record labels, opportunities, world events, and more. These less-talked-about facts build a case for how and why each song was influential. By providing macro and micro analyses, Hickey creates a fascinating, comprehensive study.

The A History of Rock Music in 500 Songs podcast talks about rock and rock influences. It provides an eclectic mix of important rock music. The show celebrates the Beatles, the Beach Boys, and Bob Dylan. The Rolling Stones, Stevie Wonder, Buddy Holly, and Elvis Presley are also analyzed. Rockers can expect to hear songs they recognize immediately and some lesser-known tunes. Either way, knowledge and an expert perspective fill every episode. Hickey interprets facts in a unique and meaningful way as he discusses popular music throughout the decades. Each episode continues to educate and entertain rock enthusiasts of all ages.

A History of Rock Music in 500 Songs podcast host is also an accomplished author. He specializes in deep exploration of rock & roll music's history. The success of this podcast even inspired the creation of a new specialty book series. Each volume details parts of rock music history in a thorough, chronological manner.

Hickey is transparent with his publishing schedule for future and recent episodes. He keeps the audience updated with any changes by posting a brief audio announcement. For now, A History of Rock Music in 500 Songs uploads every other week.

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Episodes

ANNOUNCEMENT: Pledge Week 2024
08-07-2024
ANNOUNCEMENT: Pledge Week 2024
An announcement of this year’s pledge week. To sign up to the Patreon, visit http://patreon.com/andrewhickey Transcript Welcome to Pledge Week 2024. For those who don’t know — perhaps you’ve only recently started listening to the podcast — this podcast is entirely funded by people backing me on Patreon, the crowdfunding site, and so occasionally I’ll do a pledge week, where I remind people about this and encourage people to sign up. The main benefit you get for signing up to the Patreon, other than the knowledge that you’re supporting an independent creator, is bonus episodes. There’s one of these with every main episode, and sometimes random other ones as well. They’re shorter episodes than the main episodes — I say at the end of each main episode that they’re ten minutes, and that’s how they started out, but often in more recent years they’ve been twenty-five minutes or more, sometimes as long as an hour, as they’ve grown in the same way the main episodes have grown. These bonus episodes are about artists who for whatever reason don’t fit into the main narrative I’m telling. Sometimes they’re a massively important artist, but one who never interacted much with the rest of the music world and made their own path, and so they don’t feed into the larger story. Sometimes they’re an obscure artist who never had much success at the time but gained a cult following after their death. Sometimes they’re just a personal favourite of mine who I can’t really justify devoting a main episode to. Sometimes they’re someone who made great music but had a boring story that wouldn’t be worth spending a long time over, but I can tell the highlights, and sometimes they’re someone who made terrible music but had a fascinating story. And sometimes they’re people who I would cover in a main episode but who there’s simply not enough information about to tell the story in any detail. There are lots of reasons for artists being covered in the Patreon but some of the episodes I’ve done for that have been among my favourites. Anyway, anyone who signs up to the Patreon as a backer for $1 or more gets access to every single bonus episode I’ve done, and continues to get access to new ones as long as they’re a backer. Now I have to emphasise this time round that that is “for $1 or more”. For some reason known only to themselves, the people at Patreon recently decided it would be a good idea for their crowdfunding site which exists as a way for people to pay artists they want to support, if they put in a compulsory free tier on every account where you pay nothing, and to make that the default that people see. So if you sign up, you see “Sign up for free!” If you sign up for free you won’t get anything. But if you sign up for $1 a month, you’ll get somewhere in the region of two hundred bonus episodes — and if you want you can cancel right after you download them all, and you’ll have only paid one dollar. I won’t be annoyed at that — that’s the deal here. I know times are tough and sometimes a dollar is a lot. If you sign up for higher tiers, you get copies of most of my old books as ebooks, and new print books when they come out (though it’s been quite a while since a new book came out — the person who was proofing and indexing the next book based on the podcast got sick with long covid and I’ve been having to do that myself while doing my other work, but that should be out sooner rather than later, and you’ll get access to all the past ebooks straight away). People on all tiers also get occasional blog posts from me — gig reviews, occasional updates about my work process, and so on. But the main extra you get is the bonus podcasts. So for the next five days, tomorrow through Saturday, I’m going to post five of those bonus podcasts to the main feed, to give you a free taster of what these bonus episodes are like. If you like what you hear, you can sign up at patreon.com/andrewhickey — there’ll be a link on the blog post associated with this, as there is with all of the episodes. And one more thing I need to stress — *only sign up for the Patreon if you can afford it*. My listeners are currently very generous, and I am making a good income from this podcast now. I have to do these pledge weeks to keep the numbers up and make sure new listeners know what’s on offer, but I don’t want anyone to feel like they are under any obligation to pay me a penny. And times are tight enough that many people genuinely can’t afford even a dollar a month. But if, after you’ve paid your living expenses, helped out any needy friends, given to proper charities, put away something in savings, and all the other important uses for money, you do have a dollar a month or more left over, and you like the sound of the bonus episodes that will hit the feed this week, why not sign up to the Patreon? There’s a lot more where they came from.
An Alert: Someone Plagiarising Me
03-05-2024
An Alert: Someone Plagiarising Me
Transcript The next proper episode will be up in a couple of days – I’m recording it tonight – but I just wanted to make a brief announcement. It has recently been brought to my attention that the French language podcast Un dernier disque avant la fin du monde has, for nearly two years, been making French-language versions of my podcast without giving me credit (the episodes before that don’t seem to be ripped off from me), and has been monetising them on Patreon – including making his own French-language versions of some of my Patreon bonuses. This is not a case of someone just taking inspiration from my work. It’s not someone doing episodes on the same songs and possibly leaning a little too heavily on me as a source. That kind of thing is forgivable. This is someone who has been doing word-for-word translations, without my permission, and without crediting me or even notifying me, and posting them as his own work. As far as my schoolboy French indicates he’s not even lightly paraphrasing. He clearly listens to my podcast, so I am going to give him until Monday to take all those episodes down and post an apology before I contact a lawyer. I’m posting this publicly so that anyone who has been listening to his show and wondering about the similarity, or listening in the belief I authorised his work, knows that this is the work of a plagiarist, not something I’ve endorsed in any way. And if anyone *wants* to do translated versions of my work, they can contact me and make proper arrangements. I put too much time and effort into my job to have someone pass my work off as theirs without a fight.