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VARIOUS ARTISTS

Mahler: Les symphonies - La discothèque idéale de Diapason, Vol. 28

VARIOUS ARTISTS

68 SONGS • 12 HOURS AND 57 MINUTES • SEP 30 2023

1
Symphony No. 1 "Titan": I. Langsam. Schleppend, wie ein Naturlaut
Wiener Philharmoniker & Paul Kletzki
13:34
2
Symphony No. 1 "Titan": II. Kräftig, bewegt, doch nicht zu schnell
Wiener Philharmoniker & Paul Kletzki
08:19
3
Symphony No. 1 "Titan": III. Feierlich und gemessen, ohne zu schleppen
Wiener Philharmoniker & Paul Kletzki
10:44
4
Symphony No. 1 "Titan": IV. Stürmisch bewegt
Wiener Philharmoniker & Paul Kletzki
17:34
5
Symphony No. 1 "Titan": III. Feierlich und gemessen, ohne zu schleppen
Wiener Symphoniker & Jascha Horenstein
11:42
6
Symphony No. 2 "Resurrection": III. In ruhig fliessender Bewegung (Scherzo)
Concertgebouw Orchestra & Rafael Kubelik
10:45
7
Symphony No. 2 "Resurrection": IV. Urlicht, "O Röschen rot! Der Mensch liegt in grösster Not". Sehr feierlich aber schlicht (Contralto)
Kathleen Ferrier, Concertgebouw Orchestra & Otto Klemperer
04:07
8
Symphony No. 2 "Resurrection": I. Allegro maestoso. Mit durchaus ernstem und feierlichem Ausdruck
New York Philharmonic & Bruno Walter
21:41
9
Symphony No. 2 "Resurrection": II. Andante moderato. Sehr gemächlich, nie eilen
New York Philharmonic & Bruno Walter
10:35
10
Symphony No. 2 "Resurrection": III. In ruhig fliessender Bewegung (Scherzo)
New York Philharmonic & Bruno Walter
10:44
11
Symphony No. 2 "Resurrection": IV. Urlicht, "O Röschen rot! Der Mensch liegt in grösster Not". Sehr feierlich aber schlicht (Contralto)
Maureen Forrester, New York Philharmonic & Bruno Walter
04:11
12
Symphony No. 2 "Resurrection": V. Im Tempo des Scherzos. Wild herausfahrend - "Aufersteh'n". Langsam, misterioso (Soprano, Chorus) - "O glaube, mein Herz". Etwas bewegter (Contralto, Soprano, Chorus)
Emilia Cundari, Maureen Forrester, The Westminster Choir, New York Philharmonic & Bruno Walter
32:29
13
Symphony No. 3, Pt. 1: I. Kräftig, Entschieden
New York Philharmonic & Leonard Bernstein
33:18
14
Symphony No. 3, Pt. 2: II. Tempo di Menuetto. Sehr mässig
New York Philharmonic & Leonard Bernstein
10:10
15
Symphony No. 3, Pt. 2: III. Comodo, Scherzando. Ohne Hast
New York Philharmonic & Leonard Bernstein
17:58
16
Symphony No. 3, Pt. 2: IV. Sehr langsam. Misterioso. Durchaus leise, "O Mensch! Gib acht!" (Alto)
New York Philharmonic, Leonard Bernstein & Martha Lipton
08:48
17
Symphony No. 3, Pt. 2: V. Lustig im Tempo und keck im Ausdruck, "Es sungen drei Engel" (Chorus, Alto)
New York Philharmonic, Leonard Bernstein, Martha Lipton, Women's Chorus of The Schola Cantorum & Boys' Choir of the Church of Transfiguration
04:14
18
Symphony No. 3, Pt. 2: VI. Langsam, Ruhevoll. Empfunden
New York Philharmonic & Leonard Bernstein
25:15
19
Symphony No. 10: I. Adagio - Andante
The Cleveland Orchestra & George Szell
22:21
20
Symphony No. 3, Pt. 2: III. Comodo, Scherzando. Ohne Hast
Wiener Symphoniker & Charles Adler
18:01
21
Symphony No. 2 "Resurrection": V. Im Tempo des Scherzos. Wild herausfahrend - "Aufersteh'n". Langsam, misterioso (Soprano, Chorus) - "O glaube, mein Herz". Etwas bewegter (Contralto, Soprano, Chorus)
Jo Vincent, Kathleen Ferrier, Choir of the Concertgebouw Orchestra, Concertgebouw Orchestra & Otto Klemperer
06:31
22
Symphony No. 4: I. Bedächtig, nicht eilen
Chicago Symphony Orchestra & Fritz Reiner
15:59
23
Symphony No. 4: II. In gemächlicher Bewegung, ohne Hast
Chicago Symphony Orchestra & Fritz Reiner
08:58
24
Symphony No. 4: III. Ruhevoll, poco adagio
Chicago Symphony Orchestra & Fritz Reiner
19:01
25
Symphony No. 4: IV. Sehr behaglich. "Wir geniessen die Himmlischen Freuden" (Soprano)
Chicago Symphony Orchestra, Fritz Reiner & Lisa Della Casa
09:45
26
Symphony No. 4: I. Bedächtig, nicht eilen
Concertgebouw Orchestra & Willem Mengelberg
17:22
27
Symphony No. 4: II. In gemächlicher Bewegung, ohne Hast
Concertgebouw Orchestra & Willem Mengelberg
08:22
28
Symphony No. 5, Pt. 1: I. Trauermarsch. In gemessenem Schritt. Streng. Wie ein Kondukt
London Symphony Orchestra & Rudolf Schwarz
12:57
29
Symphony No. 5, Pt. 1: II. Stürmisch bewegt, mit grösster Vehemenz
London Symphony Orchestra & Rudolf Schwarz
14:08
30
Symphony No. 5, Pt. 2: III. Scherzo. Kräftig, nicht zu schnell
London Symphony Orchestra & Rudolf Schwarz
18:17
31
Symphony No. 5, Pt. 3: IV. Adagietto. Sehr langsam
London Symphony Orchestra & Rudolf Schwarz
07:41
32
Symphony No. 5, Pt. 3: V. Rondo-Finale. Allegro
London Symphony Orchestra & Rudolf Schwarz
16:51
33
Symphony No. 5, Pt. 3: IV. Adagietto. Sehr langsam
Concertgebouw Orchestra & Willem Mengelberg
07:11
34
Symphonic No. 6 "Tragic": I. Allegro energico, ma non troppo. Heftig, aber markig.
New York Philharmonic & Dimitri Mitropoulos
18:04
35
Symphonic No. 6 "Tragic": III. Andante moderato
New York Philharmonic & Dimitri Mitropoulos
15:13
36
Symphonic No. 6 "Tragic": II. Scherzo. Wuchtig
New York Philharmonic & Dimitri Mitropoulos
11:33
37
Symphonic No. 6 "Tragic": IV. Finale. Sostenuto - Allegro moderato - Allegro energico
New York Philharmonic & Dimitri Mitropoulos
28:56
38
Symphony No. 7: I. Langsam - Etwas weniger langsam - Nicht schleppen - Allegro con fuoco
Moscow Philharmonic Orchestra & Kirill Kondrashin
21:44
39
Symphony No. 7: II. Nachtmusik. Allegro moderato
Moscow Philharmonic Orchestra & Kirill Kondrashin
14:12
40
Symphony No. 7: III. Scherzo. Schattenhaft
Moscow Philharmonic Orchestra & Kirill Kondrashin
09:48
41
Symphony No. 7: IV. Nachtmusik. Andante amoroso
Moscow Philharmonic Orchestra & Kirill Kondrashin
10:52
42
Symphony No. 7: V. Rondo - Finale. Tempo I (Allegro ordinario)
Moscow Philharmonic Orchestra & Kirill Kondrashin
15:59
43
Symphony No. 7: III. Scherzo. Schattenhaft
Wiener Symphoniker & Hermann Scherchen
09:00
44
Symphony No. 8 "Symphony of a Thousand" - Part I. Hymnus. Veni, creator spiritus: "Veni, creator spiritus" (Chorus 1, Chorus 2)
Goldsmith's Choral Union, Hampstead Choral Society, BBC Choral Society, BBC Chorus, London Symphony Orchestra & Jascha Horenstein
01:29
45
Symphony No. 8 "Symphony of a Thousand" - Part I. Hymnus. Veni, creator spiritus: "Imple superna gratia" (Soprano 1, Tenor, Soprano 2, Contralto 1, Contralto 2, Baritone, Bass, Chorus 1, Chorus 2)
Joyce Barker, Beryl Hatt, Kerstin Meyer, Helen Watts, Kenneth Neate, Alfred Orda, Arnold van Mill, Goldsmith's Choral Union, Hampstead Choral Society, BBC Choral Society, BBC Chorus, London Symphony Orchestra & Jascha Horenstein
04:03
46
Symphony No. 8 "Symphony of a Thousand" - Part I. Hymnus. Veni, creator spiritus: "Infirma nostri corporis" (Chorus 1, Chorus 2, Soprano 1, Soprano 2, Contralto 1, Contralto 2, Tenor, Bass, Baritone)
Joyce Barker, Beryl Hatt, Kerstin Meyer, Helen Watts, Kenneth Neate, Alfred Orda, Arnold van Mill, Goldsmith's Choral Union, Hampstead Choral Society, BBC Choral Society, BBC Chorus, London Symphony Orchestra & Jascha Horenstein
01:44
47
Symphony No. 8 "Symphony of a Thousand" - Part I. Hymnus. Veni, creator spiritus: Tempo primo. Allegro, etwas hastig
London Symphony Orchestra & Jascha Horenstein
01:34
48
Symphony No. 8 "Symphony of a Thousand" - Part I. Hymnus. Veni, creator spiritus: "Infirma nostri corporis" (Bass, Tenor, Contralto 1, Contralto 2, Baritone, Soprano 1, Soprano 2)
Joyce Barker, Beryl Hatt, Kerstin Meyer, Helen Watts, Kenneth Neate, Alfred Orda, Arnold van Mill, London Symphony Orchestra & Jascha Horenstein
02:36
49
Symphony No. 8 "Symphony of a Thousand" - Part I. Hymnus. Veni, creator spiritus: "Accende lumen sensibus" (Soprano 1, Soprano 2, Contralto 1, Contralto 2, Tenor, Baritone, Bass, Boys' Choir, Chorus 1, Chorus 2)
Joyce Barker, Beryl Hatt, Kerstin Meyer, Helen Watts, Kenneth Neate, Alfred Orda, Arnold van Mill, Goldsmith's Choral Union, Hampstead Choral Society, BBC Choral Society, BBC Chorus, Emanuel School Boy's Choir, Orpington Junior Singers, London Symphony Orchestra & Jascha Horenstein
05:44
50
Symphony No. 8 "Symphony of a Thousand" - Part I. Hymnus. Veni, creator spiritus: "Veni, creator spiritus" (Soprano 1, Soprano 2, Contralto 1, Contralto 2, Tenor, Baritone, Bass, Chorus 1, Chorus 2, Boys' Choir)
Joyce Barker, Beryl Hatt, Kerstin Meyer, Helen Watts, Kenneth Neate, Alfred Orda, Arnold van Mill, Goldsmith's Choral Union, Hampstead Choral Society, BBC Choral Society, BBC Chorus, Emanuel School Boy's Choir, Orpington Junior Singers, London Symphony Orchestra & Jascha Horenstein
03:13
51
Symphony No. 8 "Symphony of a Thousand" - Part I. Hymnus. Veni, creator spiritus: "Gloria sit Patri Domino" (Boys' Choir, Soprano 1, Soprano 2, Contralto 1, Contralto 2, Tenor, Chorus 1, Chorus 2, Baritone, Bass)
Joyce Barker, Beryl Hatt, Kerstin Meyer, Helen Watts, Kenneth Neate, Alfred Orda, Arnold van Mill, Goldsmith's Choral Union, Hampstead Choral Society, BBC Choral Society, BBC Chorus, Emanuel School Boy's Choir, Orpington Junior Singers, London Symphony Orchestra & Jascha Horenstein
03:06
52
Symphony No. 8 "Symphony of a Thousand" - Part II. Schlussszene von Goethes "Faust": Poco adagio - Più mosso. (Allegro moderato)
London Symphony Orchestra & Jascha Horenstein
08:23
53
Symphony No. 8 "Symphony of a Thousand" - Part II. Schlussszene von Goethes "Faust": "Waldung, sie schwankt heran" (Chorus 1, Chorus 2)
Goldsmith's Choral Union, Hampstead Choral Society, BBC Choral Society, BBC Chorus, London Symphony Orchestra & Jascha Horenstein
03:48
54
Symphony No. 8 "Symphony of a Thousand" - Part II. Schlussszene von Goethes "Faust": "Ewiger Wonnebrand" (Pater ecstaticus)
Alfred Orda, London Symphony Orchestra & Jascha Horenstein
01:24
55
Symphony No. 8 "Symphony of a Thousand" - Part II. Schlussszene von Goethes "Faust": "Wie Felsenabgrund mir zu Füssen" (Pater profundus)
Arnold van Mill, London Symphony Orchestra & Jascha Horenstein
04:40
56
Symphony No. 8 "Symphony of a Thousand" - Part II. Schlussszene von Goethes "Faust": "Gerettet ist das edle Glied der Geisterwelt .. Hände verschlinget euch" (Chor der Engel, Chor seliger Knaben)
Goldsmith's Choral Union, Hampstead Choral Society, BBC Choral Society, BBC Chorus, Emanuel School Boy's Choir, Orpington Junior Singers, London Symphony Orchestra & Jascha Horenstein
01:06
57
Symphony No. 8 "Symphony of a Thousand" - Part II. Schlussszene von Goethes "Faust": "Jene Rosen aus den Händen" (Chor der jüngeren Engel)
Goldsmith's Choral Union, Hampstead Choral Society, BBC Choral Society, BBC Chorus, London Symphony Orchestra & Jascha Horenstein
02:41
58
Symphony No. 8 "Symphony of a Thousand" - Part II. Schlussszene von Goethes "Faust": "Uns bleibt ein Erdenrest" (Die vollendeteren Engel, Contralto)
Kerstin Meyer, Goldsmith's Choral Union, Hampstead Choral Society, BBC Choral Society, BBC Chorus, London Symphony Orchestra & Jascha Horenstein
01:49
59
Symphony No. 8 "Symphony of a Thousand" - Part II. Schlussszene von Goethes "Faust": "Ich spür' soeben" (Die jüngeren Engel) - "Hier ist die Aussicht" (Doctor Marianus) - "Höchste Herrscherin der Welt!" (Doctor Marianus, Chorus 1, Chorus 2)
Kenneth Neate, Goldsmith's Choral Union, Hampstead Choral Society, BBC Choral Society, BBC Chorus, Emanuel School Boy's Choir, Orpington Junior Singers, London Symphony Orchestra & Jascha Horenstein
05:57
60
Symphony No. 8 "Symphony of a Thousand" - Part II. Schlussszene von Goethes "Faust": "Dir, der Unberührbaren" (Chorus 1, Chorus 2) - Chor de Büβerinnen, "Du schwebst zu Höhen der ewigen Reiche" (Chorus 2, Una Poenitentium)
Agnes Giebel, Goldsmith's Choral Union, Hampstead Choral Society, BBC Choral Society, BBC Chorus, London Symphony Orchestra & Jascha Horenstein
03:35
61
Symphony No. 8 "Symphony of a Thousand" - Part II. Schlussszene von Goethes "Faust": "Bei der Liebe" (Magna Peccatrix) - "Bei dem Bronn" (Mulier Samaritana) - "Bei dem hochgeweihten Orte" (Maria Aegyptiaca) - "Neige, neige" (Una poenitentium)
Joyce Barker, Agnes Giebel, Kerstin Meyer, Helen Watts, London Symphony Orchestra & Jascha Horenstein
06:49
62
Symphony No. 8 "Symphony of a Thousand" - Part II. Schlussszene von Goethes "Faust": "Er überwächst uns schon" (Selige Knaben) - "Vom edlen Geisterchor umgeben" (Una poenitentium) - "Komm! hebe dich zu höhern Sphären!" (Mater gloriosa)
Beryl Hatt, Agnes Giebel, Goldsmith's Choral Union, Hampstead Choral Society, BBC Choral Society, BBC Chorus, Emanuel School Boy's Choir, Orpington Junior Singers, London Symphony Orchestra & Jascha Horenstein
04:38
63
Symphony No. 8 "Symphony of a Thousand" - Part II. Schlussszene von Goethes "Faust": "Blicket auf zum Retterblick, alle reuig Zarten" (Doctor Marianus)
Kenneth Neate, Goldsmith's Choral Union, Hampstead Choral Society, BBC Choral Society, BBC Chorus, Emanuel School Boy's Choir, Orpington Junior Singers, London Symphony Orchestra & Jascha Horenstein
06:26
64
Symphony No. 8 "Symphony of a Thousand" - Part II. Schlussszene von Goethes "Faust": "Alles Vergängliche ist nur ein Gleichnis" (Chorus Mysticus)
Joyce Barker, Beryl Hatt, Agnes Giebel, Kerstin Meyer, Helen Watts, Kenneth Neate, Alfred Orda, Arnold van Mill, Goldsmith's Choral Union, Hampstead Choral Society, BBC Choral Society, BBC Chorus, Emanuel School Boy's Choir, Orpington Junior Singers, London Symphony Orchestra & Jascha Horenstein
06:16
65
Symphony No. 9: I. Andante comodo
Columbia Symphony Orchestra & Bruno Walter
29:17
66
Symphony No. 9: II. Im Tempo eines gemächlichen Ländlers. Etwas täppisch und sehr derb
Columbia Symphony Orchestra & Bruno Walter
17:38
67
Symphony No. 9: III. Rondo-Burleske. Allegro assai - Sehr trotzig
Columbia Symphony Orchestra & Bruno Walter
13:07
68
Symphony No. 9: IV. Adagio. Sehr langsam und noch zurückhaltend
Columbia Symphony Orchestra & Bruno Walter
21:07
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