Like Two Branches - Selected Passages performed with Kanun, Op. 24: No. 1, First methodological unit: Solo
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Like Two Branches - Selected Passages performed with Kanun, Op. 24: No. 2, Second methodological unit: Special unison
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Like Two Branches - Selected Passages performed with Kanun, Op. 24: No. 3, Third methodological unit: Doublings I: The opening motif: kanun with two oboes
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Like Two Branches - Selected Passages performed with Kanun, Op. 24: No. 4, Third methodological unit: Doublings I: Return of the opening motif, with richer ensemble, including choir
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Like Two Branches - Selected Passages performed with Kanun, Op. 24: No. 5, Third methodological unit: Doublings I: Opening motif – kanun ‘ripped’ from ensemble performance
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Like Two Branches - Selected Passages performed with Kanun, Op. 24: No. 6, Fourth methodological unit: Doublings II: The ‘shajaru’ motif – kanun and cello doubling male and female voices in octaves
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Like Two Branches - Selected Passages performed with Kanun, Op. 24: No. 7, Fourth methodological unit: Doublings II: The ‘shajaru’ motif – kanun and cello doubling female voices in thirds
00:36
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Like Two Branches - Selected Passages performed with Kanun, Op. 24: No. 8, 1. Fifth methodological unit: The kanun integrated into the texture: The kanun as an “accompanying carpet” for the vocal ensemble (a)
00:56
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Like Two Branches - Selected Passages performed with Kanun, Op. 24: No. 9, Fifth methodological unit: The kanun integrated into the texture: The kanun as an “accompanying carpet” for the vocal ensemble (b)
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Like Two Branches - Selected Passages performed with Kanun, Op. 24: No. 10, Sixth methodological unit: The kanun is prominent in the texture, virtuosic
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Girl Butterfly Girl - song cycle for soprano & symphony orchestra, sung in Arabic, Op. 4: No. 1, Piece of Earth
