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Papillons, Op. 2: Introduzione
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Papillons, Op. 2: I. Moderato
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Papillons, Op. 2: II. Prestissimo
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Papillons, Op. 2: III. Viertel = 120
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Papillons, Op. 2: IV. Presto
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Papillons, Op. 2: V. Viertel = 80
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Papillons, Op. 2: VI. Viertel = 72
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Papillons, Op. 2: VII. Semplice
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Papillons, Op. 2: VIII. Viertel = 132
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Papillons, Op. 2: IX. Prestissimo
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Papillons, Op. 2: X. Vivo
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Papillons, Op. 2: XI. Viertel = 112
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Papillons, Op. 2: XII. Finale
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Intermezzi, Op. 4: I. Allegro quasi maestoso
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Intermezzi, Op. 4: II. Presto a Capriccioso
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Intermezzi, Op. 4: III. Allegro
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Intermezzi, Op. 4: IV. Allegretto semplice
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Intermezzi, Op. 4: V. Allegro moderato
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Intermezzi, Op. 4: VI. Allegro
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Allegro in B Minor, Op. 8
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Piano Sonata in F Minor, Op. 14: I. Allegro
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Piano Sonata in F Minor, Op. 14: II. Scherzo - Molto commodo
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Piano Sonata in F Minor, Op. 14: III. Quasi variazioni - Andantino (De Clara Wieck) - 4 Variations
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Piano Sonata in F Minor, Op. 14: IV. Finale - Prestissimo possibile
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Nachtstücke, Op. 23: I. Mehr langsam, oft zurückhaltend (Trauerzug)
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Nachtstücke, Op. 23: II. Markiert und lebhaft (Kuriose Gesellschaft)
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Nachtstücke, Op. 23: III. Mit großer Lebhaftigkeit (Nächtliches Gelage)
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Nachtstücke, Op. 23: IV. Ad libitum – Einfach (Rundgesang mit Solostimmen)
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3 Romances, Op. 28: I. Sehr markiert in B-Flat Minor
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3 Romances, Op. 28: II. Einfach in F-Sharp Major
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3 Romances, Op. 28: III. Sehr markiert in B Major
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Vier Klavierstücke, Op. 32: I. Scherzo. Sehr markiert
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Vier Klavierstücke, Op. 32: II. Gigue. Sehr schnell
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Vier Klavierstücke, Op. 32: III. Romanze. Sehr rasch und mit Bravour
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Vier Klavierstücke, Op. 32: IV. Fughette. Leise
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Gesänge der Frühe, Op. 133: I. Im ruhigen Tempo
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Gesänge der Frühe, Op. 133: II. Belebt, nicht zu rasch
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Gesänge der Frühe, Op. 133: III. Lebhaft
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Gesänge der Frühe, Op. 133: IV. Bewegt
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Gesänge der Frühe, Op. 133: V. Im Anfange ruhiges, im Verlauf bewegtes Tempo
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Presto passionato (Original Final of Piano Sonata No. 2, Op. 22)
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